Description:
Among the steady stream of new Chinese movies opening in America, âA Beautiful Lifeâ stands out â rather than an overstuffed, jingoistic historical tale or martial-arts blowout, itâs a contemporary romantic melodrama with a plaintive pop soundtrack that might call to mind âTerms of Endearment,â âThe Other Sisterâ or, most strongly, a Nora Ephron comedy minus most of the laughs. (Thereâs also a bit of âMementoâ thrown in.) Itâs no great shakes, but a substantial number of American moviegoers â soft-hearted, slightly masochistic and largely abandoned by Hollywood â would like it if they found their way to it. The first hour, especially, is charming, before the balance shifts from romance to melodrama to, in the final minutes, the kind of maudlin crescendo that Asian audiences are accustomed to. The director, Andrew Lau, gives further proof of his versatility, having already shown that he can make very good gangster movies (âInfernal Affairsâ) and so-so kung-fu epics (âLegend of the Fist,â which opened in the United States last month). He practices heroic restraint and delicacy, given the five main characters heâs been handed: oneâs blind, oneâs autistic, oneâs mute, one has early-onset dementia and oneâs a healthy, bitter drunk. Mr. Lau is helped by his charismatic stars, Shu Qi and Liu Ye, both of whom are very appealing within the narrow range set for them. Mr. Liu plays an upright cop whoâs slowly losing his memory and leaves himself notes to remind him of his daily tasks; Ms. Shu has the Holly Golightly role as a real estate agent trying to strike it rich in Beijing so that she can support her parasitic Hong Kong family. (One not very convincing theme of the film is Beijing incorruptibility versus Hong Kong decadence.) Sheâs a bit forced and shrill in her drunk scenes, but otherwise she underplays adroitly and flashes some sly humor.
Country:Â China
Released:Â 2011
Genre:Â Drama;Â Romance;
Description:
Among the steady stream of new Chinese movies opening in America, âA Beautiful Lifeâ stands out â rather than an overstuffed, jingoistic historical tale or martial-arts blowout, itâs a contemporary romantic melodrama with a plaintive pop soundtrack that might call to mind âTerms of Endearment,â âThe Other Sisterâ or, most strongly, a Nora Ephron comedy minus most of the laughs. (Thereâs also a bit of âMementoâ thrown in.) Itâs no great shakes, but a substantial number of American moviegoers â soft-hearted, slightly masochistic and largely abandoned by Hollywood â would like it if they found their way to it. The first hour, especially, is charming, before the balance shifts from romance to melodrama to, in the final minutes, the kind of maudlin crescendo that Asian audiences are accustomed to. The director, Andrew Lau, gives further proof of his versatility, having already shown that he can make very good gangster movies (âInfernal Affairsâ) and so-so kung-fu epics (âLegend of the Fist,â which opened in the United States last month). He practices heroic restraint and delicacy, given the five main characters heâs been handed: oneâs blind, oneâs autistic, oneâs mute, one has early-onset dementia and oneâs a healthy, bitter drunk. Mr. Lau is helped by his charismatic stars, Shu Qi and Liu Ye, both of whom are very appealing within the narrow range set for them. Mr. Liu plays an upright cop whoâs slowly losing his memory and leaves himself notes to remind him of his daily tasks; Ms. Shu has the Holly Golightly role as a real estate agent trying to strike it rich in Beijing so that she can support her parasitic Hong Kong family. (One not very convincing theme of the film is Beijing incorruptibility versus Hong Kong decadence.) Sheâs a bit forced and shrill in her drunk scenes, but otherwise she underplays adroitly and flashes some sly humor.
Country:Â China
Released:Â 2011
Genre:Â Drama;Â Romance;