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A wife’s death should be heartbreaking—it’s clearly a tragedy—but for some reason, I ended up laughi
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“As Long as It’s in Japanese, the Art Style Suddenly Shifts”
“Warm wine to smoke *, then win the beauty’s heart”
The knife went into the belly—so is this still “liangfen” or not?
Of the South’s two rarest treasure-version landmines, Huang Silang owns one—now that’s some serious
Chen Kun regretted this move as soon as he finished it—but when he begged Jiang Wen to cut it, it en
“Let Master Tang tell you a sad story.”
No problem—give me a shot, and I’ll give you one too!
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“Lose the lady and your troops too”
“Lines this tough—just looking at them, you know who the director is!”
The struggle of ordinary people in a dark power struggle—dare you say you’re not wronged?
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Jiang Wen’s movies are hard for most people to understand, but the dialogue feels like a perfect sna
When it comes to “exporting” culture, I only give credit to Jiang Wen—his impact is seriously unmatc
Now this is the kind of dialogue姜 Wen's movies should have...
Hu Jun: Give me just one more minute, and I could steal the director's thunder!
Jiang Wen: "Good movies are never made by young people."
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Da Shuai: I earned money by running the "Dongdian" military academy, and you just gave it to me as p
"Such powerful dialogue skills—only Jiang Wen probably has them."
How miserable it is to be Jiang Wen's producer—middle-aged actor playing an eight-year-old kid
Dumplings with wine get better and better with each bite; every line is a calculated move—watching t
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