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What Makes a Masterpiece (Part 15, Lower) – The “Xing” That Was Avoided in “The Great Ming Dynasty 1
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What Makes a Masterpiece (31) – The Pitfall of One-Sided Attribution in “The Great Ming Dynasty 1566
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What Makes a Masterpiece (Part 26, Final): The Flawed Premise in “The Great Ming Dynasty 1566”
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What Makes a “Divine Drama” (Episode 42) — The Puppet in “The Great Ming Dynasty 1566”
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In the Name of Ideology 01 (Part 1) – “Beijing Without War”: Each Side Fights for Its Own Cause
What Makes a “Divine Drama” (Part 10, Pt. 1) – Hai Rui’s Masterful Tactics in “The Great Ming Dynast
What Makes a "Divine Drama" (Part 6) — The Discrepancy Between Practice and Cognition in "The Great
What Makes a "Divine Drama" (Part 7, Part 1) — The Yan Faction in "The Great Ming Dynasty 1566": Sam
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What Makes a "Divine Drama" (Part 30) — "Sowing Discord" in "The Great Ming Dynasty 1566"
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What Makes a Masterpiece (4, Part 2) — The Art of Subtlety and Historical Metaphors in "The Great Mi
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What Makes a Masterpiece (2) — The Artful Use of Blank Spaces and Historical Metaphors in "The Great
What Makes a Masterpiece (Part 42, End of Part 43) — The Fragility in "The Great Ming Dynasty 1566"
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何谓神剧(1)——《大明王朝1566》中处处的留白和古今的隐喻
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In the Name of Doctrine 03 - "The Banality of Evil" in "All Quiet in Peking"
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