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Videos

5:33
Is taking a close-up of the eyes really this troublesome?
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9:36
Even a fifty-cent‑worth of dramatic conflict can outshine parting with life and death.
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8:29
Don’t Let the Audience Predict It! Hitchcock’s Principles of Shot Composition
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6:12
Did Jiang Wen still lack footage after shooting a single scene with 100,000 feet of film?
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8:32
“Three Years Later, Another Three” — Tony Leung Writes Shakespeare
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7:24
The “going to hell” motif in “Infernal Affairs”
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4:22
Why do tough guys shoot from a low angle?
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5:22
Can actors change the script?
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4:54
"Lao She's 'Teahouse' Teaches You How to Write Dialogue"
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7:53
Americans’ “Palace Jade Liquor” and “Shake It and You’ll Go Numb”
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7:31
How do actors portray a character getting shot and dying in "Infernal Affairs"?
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6:00
Friends vs. Dying to Survive: Whose Performance Holds the Others Back?
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5:19
"Lychees from Chang'an": Bai Ke is still playing a supporting role!
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7:54
“The Night King” – a Cantonese comedy that can’t be translated…
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7:49
Why do filmmakers have to imitate Hitchcock?
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7:26
How does theatrical pseudo-logic affect our lives?
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9:13
Why Do Kids in Movies Have an “Immortal Aura”?
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6:20
The “Three Times Is the Charm” Screenwriting Rule
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12:26
What Are the Translation Issues in “Zootopia”?
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9:20
Why Do Kids’ Acting Feel Fake? Is Theater Acting Really That Different from Film & TV Acting?
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