[Dongqing] "Black Priests": Korean exorcism is a mixture of Eastern and Western cultures, but the Ko

[Dong Qing] “Cruel History of Horse Porridge Street”: Don’t mess with nice people, or you’ll regret

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[Dong Qing] "Scent of a Woman": I almost missed it because of the title, but it captures all the emo

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[Film and TV Clip] A Frozen Flower! The scale was so big ten years ago! Give your boyfriend to the q

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【Dong Qing】"Better Days": A Perfectly Remade Masterpiece—In a society where people prey on each othe

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[Dong Qing] "One Flew Over the Cuckoo's Nest": Douban score 9.1, Oscar-winning best picture, a group

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[Dong Qing] “Love in the Mechanism”: If you’re not into marriage, check this out—it might just chang

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[Dong Qing] “It’s Here”: Japan’s Latest Horror Film of 2019—A Miserable Japanese Housewife, and the

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[Dongqing] "Curse": Taiwan's most terrifying movie this year, 30 minutes of super detailed explanati

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[Dongqing] "The Godfather" Insights, Part 3: Was Sonny's tragic death inevitable? Why does the Godfa

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[Dongqing] "The Host": South Korea's most representative monster movie, Bong Joon-ho is really a gen

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[Dongqing] "Being John Malkovich": A science fiction film that will make you applaud. This kind of f

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[Dongqing] "The King of Chess": A perfect work, even Wang Shuo was full of praise for it!

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[Dongqing] "The Ballad of Narayama": An old man was sent to the mountains to die at the age of 70, a

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【Dong Qing】"The Wailing": A corpse exposes the animalistic nature within people—perhaps the best dom

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[East Tilt] "Dead Man on Baker Street": Drooling! The most powerful female costume in Conan history!

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【Dong Qing】“Only Cloud Knows”: A film by Feng Xiaogang that’s been sorely underestimated—no romance

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The Conjuring: "Last Rites" (2025) American Supernatural Horror Film

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[Dongqing] "The Godfather" Detailed Commentary, Episode 1: A must-see movie for every man, an epic c

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[Dong Qing] "Oasis": A cruel romance film where love and redemption coexist, so heart-searing!

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【Dong Qing】“Forty, Not Forty Yet”: A Near-Perfect Chinese Film—The 40-Year-Old Woman in Ann Hui’s Le

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