THE APPARITION (2009)
👉 FACE IN THE WOODS
👉 GRAVITY
👉 WHAT THIS NIGHT BRINGS
👉 A CALL TO ARMS
👉 TONGUES LIKE KNIVES
👉 STARS AND THE SUN
👉 WE KEPT IT HIDDDEN
In 2009, after ending their contract with EMI, urbandub signed with a new label MCA MUSIC and released their fifth and most experimental album entitled "The Apparition" on November 28, 2009
The writing took place again in Cebu, the band's homecourt, with the band renting a house up the mountains and turning it into a home studio for 2 months. after which, they returned to Manila and recorded again in Tracks Studio with their Under Southern Lights producer Angee Rozul. The first few prints of the album included a cover of Depeche Mode's song "Home", which, along with their cover of Sade's "No Ordinary Love", exhibited the band's eclectic taste in music. The first single off the album was the song "Gravity", a song that carries the band's trademark heavy riffing balanced with melodies and harmonies that are rarely found in Pinoy rock music.
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THE APPARITION (2009)
👉 FACE IN THE WOODS
👉 GRAVITY
👉 WHAT THIS NIGHT BRINGS
👉 A CALL TO ARMS
👉 TONGUES LIKE KNIVES
👉 STARS AND THE SUN
👉 WE KEPT IT HIDDDEN
In 2009, after ending their contract with EMI, urbandub signed with a new label MCA MUSIC and released their fifth and most experimental album entitled "The Apparition" on November 28, 2009
The writing took place again in Cebu, the band's homecourt, with the band renting a house up the mountains and turning it into a home studio for 2 months. after which, they returned to Manila and recorded again in Tracks Studio with their Under Southern Lights producer Angee Rozul. The first few prints of the album included a cover of Depeche Mode's song "Home", which, along with their cover of Sade's "No Ordinary Love", exhibited the band's eclectic taste in music. The first single off the album was the song "Gravity", a song that carries the band's trademark heavy riffing balanced with melodies and harmonies that are rarely found in Pinoy rock music.